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Shim Chung is a mermaid who finds herself transplanted to modern times. The aforementioned trick with slow motion and Ryu Seung-bum's ultra-charming performance as the harassed concierge are the main strengths of this segment.
From a psychological perspective, the plot seems a major stretch, at least from the female character's point of view. As the pieces of the puzzle begin to fit together, and Jin-soo starts to remember his past, he realizes his current life isn't so bad after all.
Nonetheless the end result is dazzling: I am keeping fingers crossed for the main characters to not be killed off.
At first, the story jumps about from past to present before settling down to present its complex plot filled with detours and reversals. The actors and actresses portrayed their parts really well, not to mention they all have great chemistry.
Klein reminds us in his massive tome, The Vatican To Vegas: The match's hold on the Korean populace is also represented in only a few scenes which suggest, rather than show, the event's historical importance.
The film is set in the turbulent historical backdrop visited by Im's earlier film Kaebyok: Darcy Paquet My Beautiful Days Amongst the year's biggest disappointments was seeing this underrated film completely vanish from theaters, just a few days after release, crushed by Hollywood blockbusters and big Korean films.
Although several high-profile works are on the way, My Beautiful Girl, Mari is the first major animated film in years to try to forge a new image for the industry.
This is a shame, because even though it wasn't a crowd-pleaser, No Blood No Tears is forceful, well-crafted, and distinctively grim. It leaves the viewers with questions, and what we witnessed seems more like a portrayal of how it feels to grow up; the mistakes we make, the encounters and relationships we experience.
This drama is great, and the finale was sweet and heartwarming. It offers nothing we haven't seen before, and no bankable stars - at least not yet, both Lee Yo-won and Kim Min-sun could become stars in the future.
Told from the viewpoint of Joon-yeong, punctuated by his droll observations about himself, Yeon-hee and the people around them, Marriage is nearly totally purged of melodramatic conventions, and shies away from dramatic emphasis of any kind as well.
Kim had also slowly gained a reputation as "that director who's popular abroad", and audiences' curiosity, together with a marketing campaign centered around the Dating a smoker girlfriend provocative themes, turned Bad Guy into a commercial success.
Please click here to check the part 2 of this list. However, if you only find yourself ringing up images of the Korean remake The Ring Virus, than you are alone. Not all the jokes work, sometimes the girls overact a little too much, but the overall tone of the film makes you forget about such things pretty quickly.
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Unfortunately, the PD decided to give this beautiful drama a terrible finale. Although Three will disappoint some viewers expecting over-the-top gore or a roller-coaster ride, it is worth checking out for fans of the psychological or "subtle" horror, and those curious about how different cultural assumptions and visual idioms can create different flavors for basically formulaic stories.
The finale was satisfying one, and I am glad that everyone was given a happy ending. Oasis makes you look at the assumptions and prejudices of the society around us in a completely new light, and it may be looked back on one day as the pinnacle of Korean filmmaking from this era.