Gibson potentiometer dating, the wah-wah pedal
I still remember the photo of Pete tossin' the amp to prove its reliabilty. Pete had a good thing goin for him.
Several companies manufacture piccolo sets that can be put on any regular bass, thereby converting any bass into a piccolo bass. I will say the only thing that I could find to duplicate the sheer power of the Traynor was a Rivera M which I bought as a replacement and still have in my collection.
This amp works best with Gibson basses and Fender guitars. There are no effects in this head, but stomp boxes work just fine. These included, but were not Gibson potentiometer dating to: Thomas Organ changed this part number to "" in order to conform to their numbering system.
Presently I have three large drawers filled with various effects, seven Wah-Wah pedals, several very interesting articles dealing with the above, and apparently and endless chore!
Q What about the pots? They were distributed in the U. My amp only puts out 40 Watts or less and is sufficient for most playing situations.
But I have seen them used on Stackpole pots on electric National guitars as early as I sent a roadie out to buy me a new one which turned out to be a block logo model.
The non-master volume heads have chokes in them.
If you see one of these cabs that's the reason for the threaded insert on top. First introduced inthe Fender Jazz Bass was known as the Deluxe Bass and was meant to accompany the Jazzmaster guitar.
Adler's and string instruments have the same range as a grand piano. Humbuckers also often produce a higher output level than single coil pickups, though many dual-coil pickups are marketed as retrofits for single-coil designs like the J pickup and advertise a similar output and tonal character to the stock single-coils.
It has great tone and plenty of volume. Using modern test equipment to plot characteristics, while the ferrite is still potted, only gives part of the picture, at best. Instruments with ten and fifteen strings, grouped in five courses, also exist, as do " extended-range basses " or ERBs with non-coursed string counts rivaling those of coursed-string basses.
These were the day's when bigger was "far out". Vox was the first company to have commercial success with the Wah, though Ampeg was experimenting with the idea as early as I made the Wah-Wah part one of my article because next to straight guitar tone Wah was the effect I used the most.